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The Creative Director: Alternative Rehearsal Techniques, by Edward S. Lisk
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(Meredith Music Resource). A new dimension in band performance! Improve rehearsal efficiency through a more effective learning environment with access to the students' fullest musical potential. Emphasis is placed upon auditory and visual imagery techniques. Thinking skills and internal pulse are synchronized to assure consistent performance qualities throughout all types of literature demands.
- Sales Rank: #374792 in Books
- Brand: Brand: Meredith Music
- Model: 1059170
- Published on: 1991
- Released on: 2000-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .58" w x 8.50" l, 1.30 pounds
- Binding: Paperback
- 220 pages
- Used Book in Good Condition
Most helpful customer reviews
0 of 0 people found the following review helpful.
Lisk is a legend!
By Paul
Just getting into this book, and can't wait to really understand and apply all he goes into. This book is filled with well founded, great stuff!
5 of 5 people found the following review helpful.
Great creative rehearsal techniques
By C. Christensen
This is a great book for bringing focus into every rehearsal. I use it every day with my high school concert band. It has helped each individual play with more confidence by not always having to rely on stronger players. It has helped them listen to each other and really think for themselves. It offers concrete ideas for improving dynamics, rhythm, intonation, tone quality, blend, articulation, and scales using endless creative methods that can be applied to specific pieces we are working on. The students learn to listen to each other and play as a group. This is the most useful book I have ever read on this topic. It is an excellent book I highly recommend to every conductor.
21 of 22 people found the following review helpful.
Great Book - Great Presentation - Directors Should Purchase
By Tony Bancroft
This book is outstanding! For years I have used the techniques presented in this book. There is no question about it, the techniques presented here will help your group improve and grow.
I have used this book in Japan with the groups that I work with and every time I do, they always sound better and play better. It is interesting to see how the Japanese conductors use and re-use the material presented.
There are so few outstanding books on this topic that this book truly rises to the top. You can employ the techniques in this book at all levels, early, middle, advanced and pro. After you try it you'll see what I mean. My middle school kids love the challenge and the semi-pro's in Japan I work with love it as well! It is both intellectually stimulating and fun.
Along with this book, I suggest buying the performer copies and video. Take some time to really understand the way Lisk presents the information and then work the techniques into your routine(s). Once you get the hang of it, there are literally hundreds of ways to manipulate the techniques, so find some that help your group the most and don't overplay them - change them around - so as to keep the group moving ahead and growing.
I can't say enough good things about this book and the techniques it offers - I think if you ask any great conductor about them they will all agree - this is indeed a fantastic teaching tool and a great approach to learning!
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