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The Temple of the Golden Pavilion, by Yukio Mishima
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Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. He quickly becomes obsessed with the beauty of the temple. Even when tempted by a friend into exploring the geisha district, he cannot escape its image. In the novel's soaring climax, he tries desperately to free himself from his fixation.
- Sales Rank: #181019 in Books
- Published on: 1994-10-04
- Released on: 1994-10-04
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .57" w x 5.14" l, .53 pounds
- Binding: Paperback
- 288 pages
Review
"Beautifully translated... Mishima re-erects Kyoto, plain and mountain, monastery, temple, town, as Victor Hugo made Paris out of Notre Dame."
-- The Nation
"An amazing literary feat in its minute delineation of a neurotic personality."
-- Chicago Tribune
Translated from the Japanese by Ivan Morris
Language Notes
Text: English (translation)
Original Language: Japanese
From the Inside Flap
Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. He quickly becomes obsessed with the beauty of the temple. Even when tempted by a friend into exploring the geisha district, he cannot escape its image. In the novel's soaring climax, he tries desperately to free himself from his fixation.
Most helpful customer reviews
93 of 96 people found the following review helpful.
An excellent psychological examination
By T. Hooper
The Temple of the Golden Pavillion is an excellent psychological novel. In this book, we can see how a mind can be driven along to evil through obsession.
The main character of this book is Mizoguchi. He is the son of a poor rural priest. He is taken by his dying father to become an acolyte at the Temple of the Golden Pavillion. All throughout his childhood, his father had told him about the spledid beauty of this temple. Mizoguchi builds up an image of ideal beauty in his mind based on this Golden Pavillion. However, this ideal image causes him to feel disappointed in any supposed form of beauty, including women and even the actual physical Golden Pavillion. Nothing can live up to this image of supreme beauty.
As he enters university, he comes under the influence of Kashiwagi, a fellow student with a very bitter view of life. Under this influence, Mizoguchi's dark feelings bubble up inside him. One of my favorite parts is Mizoguchi and Kashiwagi's discussion of knowledge and action. Kashiwagi asserts that an unbearable life can be made bearable by just having the knowledge that it is unchangable. However, Mizoguchi argues that knowledge is a dead thing, and that only action to change to change an unbearable life can make it bearable. This attitude leads him to his final desperate attack.
I think that this book is particularly important in this age of terrorism. Often people ask why do terrorist do what they do, and they ask this because they don't understand the obsession (whether in ideal beauty as in this book, or with fundamentalist religion as in the case with terrorists), the hopelessness, and the desperation that they feel. I think if you read this book, you can understand how a mind is turned to evil acts through these means. Please read this book, if only to understand this point.
A previous reviewer complained that ther isn't much action in this book, and that is true, but that's no reason to give it a low rating. It's a psychological novel about the process of a mind on the road to evil, so naturally the main part of the story takes place in the mind. If you want a novel with exploding cars, you should try a Tom Clancy novel instead.
1 of 2 people found the following review helpful.
Dark Dark Book From Psychopath Perspective
By Sarah
The Temple of the Golden Pavilion, a novel based on a true, historical person and event, has an overwhelming sense of depravity and demonstrates the complexity of the human being. I do not recommend this book for those struggling with depression, grief, or confusion concerning life. Its stance on evil is to advance it, and its stance on imperfection is to abhor it and expunge what is good in response. Such notions may cause someone who is already struggling to fall into further confusion and inward turmoil.
The only redeeming factor this story holds is found in the last line of the book. After all of his evil intent and actions, his realization is this “I [Mizoguchi] wanted to live” (p. 262). Even in his blatantly insane and depraved state, he still chooses life.
The singular engaging aspect of the work is the search for glimpses of light in the overpowering darkness it presents within the main character’s thoughts and actions. I could have easily stopped reading this book at any moment because of its sheer darkness and deep insight into Mizoguchi’s twisted mind. The work itself is so poignantly written that one can clearly understand how his philosophy concerning beauty leads him to the heinous misdeeds that it does. Yukio Mishima does excellently in disturbing his audience by lending a view into a psychopath’s mind and heart. If a read such as that is one’s preference, then look no further. Mishima’s The Temple of the Golden Pavilion is your perfect read.
As a main character, Mizoguchi is not as dynamic as first might be assumed when one thinks of the development one might undergo to go through with the action of burning down a temple, killing its inhabitants, and attempting suicide. One of the central reasons the book is terribly fraught with darkness and depravity is the main character’s apparent hatred and negative view of himself at a young age. He is not dynamic because neither of those aspects about him change. Instead, they intensify as he is exposed to more people, experiences, and knowledge. From the beginning, he has a self-deprecating view of his stutter and a fantasy-like idealistic view of beauty. At the end, this has not changed; he is simply willing to live, even with his circumstances.
0 of 1 people found the following review helpful.
A disturbing portrait that sheds light on Zen Buddhism and radical nihilism.
By LitCrit
The Temple of the Golden Pavilion (1956) by Yukio Mishima
Book Review by Mary P.
Warning: Graphic and sexual content, recommended for an adult audience.
Background and Summary: Based on a shocking crime involving the torching of a National Treasure in 1950, Mishima framed the factual record of the perpetrator’s trial and masterfully crafted the vivid narrative of a Zen Buddhist acolyte, whose obsession with beauty reflects a dark pathological history and nihilistic worldview. Set in imperial Japan, at the onset of WWII- Pacific War, from the bombing of Tokyo to foreign occupation of post-war Japan, the character driven plot is structured around chapters that chronicle the growth and education of the main character, Mizoguchi (ages thirteen to twenty-one). He moves from his hometown on Cape Nariu to attend middle school in Maizuru, transitioning to Rinzai Academy in Kyoto after his father’s death, where he serves as an acolyte under Father Dosen at the Golden Temple, and with the Superior’s recommendation, enters Otani University. In his vision, the Golden Temple symbolizes “a beautiful ship crossing the sea of time” (20); immutable and eternal, its shadow reflected on Kyoko pond is viewed “more beautiful than the building itself,” because its architectural structure represents a combustible carbon relic of the past.
Main Characters: Mizoguchi, portrayed as a lonely and unhappy stutterer, unable to vocalize articulately, yet aptly streams inner thoughts of his outer reality by revealing dysfunctional relationships with his parents; and voices negative views of women as treacherous (his mother and Uiko) or loose (harlots). A social psychopath lacking compassion, he distances his feelings from his sadistic actions, and blames others, such as the American GI for intimidating him, and scorns Father Dosen’s silence in not confronting his transgressions, while mocking his hypocrisy and weakness for prostitutes. By comparison, his friendship with the gentle, kind-hearted, well-intentioned Tsurukawa, is viewed as brightness, the polar opposite of his darkness, as Tsurukawa’s positive spin on life whitewashed his own ugliness to nothingness, and turned “all shadows into light” (83). In contrast, his association with the self-sufficient, club-footed Kashiwagi can be seen as negative, because of his twisted logic, barbed paradoxes, and dogma that a physical existence without attaining love is sufficient in itself. Viewed through a distorted lens—“to live and destroy were one and the same thing” (112) ―a chilling developing psychotic picture of Mizoguchi emerges.
Evaluation of Work: Four stars for balancing artistic characterization with vivid imagery in The Temple of the Golden Pavilion, Mishima reveals pathological insights into the schizophrenic mind that allows the darkness of the night to cloak the darkness of the heart, and reflects the nihilistic worldview that life is meaningless and absurd. Symbols of beauty and desire should be destroyed, in order to detach and free oneself from a world of illusion. Paradoxically, attachment brings pain, but detachment releases joy.
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